The Moon on a Rainy Night Anime Adaptation Reveals Main Cast, Additional Staff, and First Promotional Video Ahead of 2027 Premiere

The official production committee for the television anime adaptation of Kuzushiro’s acclaimed girls’ love drama manga Amayo no Tsuki, internationally known as The Moon on a Rainy Night, has officially unveiled its primary voice cast, an expanded behind-the-scenes staff roster, and its inaugural promotional video. According to the announcement made on Wednesday, the deeply anticipated series is currently scheduled to make its official broadcast premiere in 2027, giving production studio CompTown ample time to meticulously bring the emotional resonance of the source material to life.

The adaptation has secured two prominent industry voice actresses to breathe life into its central protagonists. Sora Amamiya, widely recognized for her previous work in Nijusseiki Denki Mokuroku and numerous other high-profile anime titles, has been cast in the role of Kanon Oikawa. Opposite her, Iori Saeki, known for her performance in Pon no Michi, is set to voice Saki Kindaichi. The casting choices have immediately generated significant discussion among manga readers and fans of the drama genre, who have eagerly anticipated how the voice talents will capture the nuanced emotional depth, interpersonal tension, and delicate development of the two main characters.

Comprehensive Staff Roster and Production Studio Leadership

Behind the camera, the production features an experienced ensemble of industry veterans tasked with translating Kuzushiro’s distinctive visual and narrative style into animation. The series is being helmed by director Tomoe Makino, whose prior directorial credits include Aharen-san wa Hakarenai. Makino is directing the project at animation studio CompTown.

The narrative backbone of the anime is being shaped by Shougo Yasukawa, noted for his work on Rock wa Lady no Tashinami deshite, who is managing both the series composition and scriptwriting. Meanwhile, character designs—a crucial element for a story heavily reliant on expressive character interactions and visual subtlety—are being handled by Ayumi Nishihata, whose prior portfolio includes contributions to Shirobako.

The newly announced supporting staff features a robust lineup of specialists across various production departments. Assistant directorship duties are being shared by Tsutomu Tomoyuki, who served as an episode director on Kizoku Tensei: Megumareta Umare kara Saikyou no Chikara wo Eru, and Seung-deok Kim, recognized for Salaryman ga Isekai ni Ittara Shitennou ni Natta Hanashi. The vibrant and atmospheric world of the series is supported by Color Designer Haruko Nobori (Koori no Jouheki) and Art Director Mai Ichioka (Darwin Jihen).

Visual and auditory elements are further anchored by Director of Photography Atsushi Satou (Kirei ni Shitemoraemasu ka.) and Editor Masahiro Gotou (Shuumatsu Train Doko e Iku?). On the audio front, Sound Director Nobuyuki Abe, whose credits include Sasaki to Pii-chan, is overseeing the soundscape, while the instrumental music composition is being handled by the musical group jizue, celebrated for their evocative work on Hoshiai no Sora. Finally, the animation production is being spearheaded by Masao Yamamura, whose credits include Migi to Dali.

Background and Publication Chronology of the Original Manga

The source material for the upcoming anime, Kuzushiro’s Amayo no Tsuki web manga, has enjoyed a steady and dedicated readership since its initial launch. The series began its formal serialization in June 2021 on Kodansha’s Comic Days digital manga platform. As a girls’ love drama that explores complex emotional landscapes, interpersonal boundaries, and nuanced personal growth, the manga carved out a distinct niche within the contemporary romance and drama genres.

Over the years, the popularity of the series prompted regular tankobon volume releases by Kodansha. The publisher marked a significant milestone for the franchise with the release of the manga’s 12th collected volume on June 19. The consistent cadence of volume releases underscores the sustained commercial viability and reader engagement that the title has commanded since its debut over three years ago.

International Expansion and English Language Availability

The cultural footprint of The Moon on a Rainy Night extends well beyond domestic Japanese markets. Recognizing the universal appeal of Kuzushiro’s narrative, Kodansha USA licensed the English-language publishing rights to the manga in November 2022, introducing the title to Western readers.

The localized release schedule has maintained steady momentum. Kodansha USA published the eighth volume of the English edition in December 2025, and the ninth volume is officially slated to go on sale on December 8. This international availability has played an instrumental role in cultivating a robust global fan base, positioning the upcoming 2027 anime adaptation to capture both established domestic viewers and an active international audience upon its release.

First Promotional Video and Initial Public Reception

The release of the first promotional video provides audiences with their very first visual and auditory glimpse into the anime adaptation. The PV showcases the atmospheric tone of the production, highlighting the interplay between the character designs, color palettes, and jizue’s musical composition. While the 2027 premiere window means fans still have a considerable wait ahead of them, the early promotional materials aim to establish confidence in the creative direction of the project.

Analysis of Implications and Industry Impact

The greenlighting of an anime adaptation for The Moon on a Rainy Night reflects a broader, ongoing industry trend wherein publishers and animation studios increasingly look to mature, character-driven drama manga—particularly within the girls’ love and contemporary romance genres—for mainstream television adaptations. Historically, these subgenres occupied a more specialized segment of the anime market, but commercial successes in recent years have demonstrated a robust and expanding appetite for grounded, emotional storytelling that prioritizes character development over traditional action tropes.

CompTown’s involvement, paired with a seasoned directorial and writing team, signals an institutional commitment to maintaining the integrity of Kuzushiro’s original vision. Because stories dealing with sensitive interpersonal dynamics and personal identity require careful pacing and thoughtful visual translation, the careful assembly of an experienced staff—ranging from color design to musical composition—is a critical factor in mitigating common pitfalls associated with manga-to-anime transitions.

Furthermore, the strategic timing of the 2027 premiere allows the production crew sufficient breathing room to maintain high animation standards, while also aligning with the continued progression of the source manga’s global publishing footprint by Kodansha USA. As promotional efforts ramp up over the coming months and additional details, cast announcements, and secondary trailers are released, industry analysts and fans alike will be watching closely to see how The Moon on a Rainy Night positions itself within the competitive landscape of future television anime schedules.